英文作文

在平时的'学习、工作或生活中，大家都不可避免地要接触到作文吧，借助作文人们可以反映客观事物、表达思想感情、传递知识信息。为了让您在写作文时更加简单方便，下面是我为大家收集的英文作文4篇，欢迎阅读，希望大家能够喜欢。

英文作文 篇1

In my impression, I don't seem to have ever received a Christmas gift. But this year I have received several pieces of Christmas gifts, gifts received the moment, indescribably happy!

It happened on Christmas day, I came to the school with the joyful mood, suddenly found his pocket which turned out to have a lot of lessons for Christmas, I sat on the seat quickly put out gifts found above the names of many students, I am excited golden beans are falling out, everyone looked at me and said "Zhao Runze, don't cry. This is a token of our ah! Again, you have to go, we are not allowed to send you ah (in fact, forget to tell you, I actually have to transfer)! We don't have anything to send you. It's Christmas day, and we'll have to give me a Christmas gift. Haha, don't be sad, our school will always welcome you! " I didn't cry when I heard them.

The second day I was going, and when I went, everyone was sending me off, and some of my good clas**ates were crying. I don't think I'm crying too. They cry and comfort me. I think this is the best Christmas gift!

Now, I am learning in the new school, the new school atmosphere and the new environment. My clas**ates are treating me very well. I hope to write this composition so that my former clas**ates can see it. I want to tell them, "I miss you!"

英文作文 篇2

When did sport begin? If sport is, in essence, play, the claim might be made that sport is much older than humankind, for , as we all have observed, the beasts play. Dogs and cats wrestle and play ball games. Fishes and birds dance. The apes have simple, pleasurable games. Frolicking infants, school children playing tag, and ***** arm wrestlers are demonstrating strong, transgenerational and transspecies bonds with the universe of animals - past, present, and future. Young animals, particularly, tumble, chase, run wrestle, mock, imitate, and laugh (or so it seems) to the point of delighted exhaustion. Their play, and ours, appears to serve no other purpose than to give pleasure to the players, and apparently, to remove us temporarily from the anguish of life in earnest.Some philosophers have claimed that our playfulness is the most noble part of our basic nature.

In their generous conceptions, play harmlessly and experimentally permits us to put our creative forces, fantasy, and imagination into action. Play is release from the tedious battles against scarcity and decline which are the incessant, and inevitable, tragedies of life. This is a grand conception that excites and provokes. The holders of this view claim that the origins of our highest accomplishments ---- liturgy, literature, and law ---- can be traced to a play impulse which, paradoxically, we see most purely enjoyed by young beasts and children. Our sports, in this rather happy, nonfatalistic view of human nature, are more splendid creations of the nondatable, transspecies play impulse.

英文作文 篇3

Tanabata, to mention the name will make people think of the story of the Cowboy Weaver Tianyuan meet. How wonderful it is.

Today, I went to the streets to play, did not expect the streets full of people everywhere, the vehicle coming and going, crossing the road are very difficult. Looking around, everywhere are hand in hand, shoulder to friends. Girl's hands are holding a boyfriend to send flowers and chocolate. I think today is their most happy and happiest day, especially for girls.

My mother and I are shopping around the street. We first came to the shoe store. Just go in and see a man is a female confession, that woman is also embarrassed it! That man has been in the chase is willing to, that woman still dare not say. I do not know who called out "promised him", so everyone followed to say that the girl was shyly agreed.

I and my mother bought the shoes out, is talking about just that thing, suddenly I saw in a **all alley, a man from the back out of a bouquet of flowers, give a girl, and then out from his pocket A **all box, open a look, is a gem diamond ring. The man holding the ring kneel down to see that scene is sure to marry him. The girl soon agreed. Finally they hugged together.

Really Tanabata, I love you!

英文作文 篇4

(In front of the meridian gate)

Ladies and Gentlemen:

I am pleased to serve as your guide today。

This is the palace museum; also know as the Purple Forbidden City。 It is the largest and most well reserved imperial residence in China today。 Under Ming Emperor Yongle， construction began in 1406。 It took 14years to build the Forbidden City。 The first ruler who actually lived here was Ming Emperor Zhudi。 For five centuries thereafter， it continued to be the residence of23 successive emperors until 1911 when Qing Emperor Puyi was forced to abdicate the throne。 In 1987， the United Nations Educational， Scientific and Cultural Organization recognized the Forbidden City was a world cultural legacy。

It is believed that the Palace Museum， or Zi Jin Cheng (Purple Forbidden City)， got its name from astronomy folklore， The ancient astronomers divided the constellations into groups and centered them around the Ziwei Yuan (North Star) 。 The constellation containing the North Star was called the Constellation of Heavenly God and star itself was called the purple palace。 Because the emperor was supposedly the son of the heavenly gods， his central and dominant position would be further highlighted the use of the word purple in the name of his residence。 In folklore， the term “an eastern purple cloud is drifting” became a metaphor for auspicious events after a purple cloud was seen drifting eastward immediately before the arrival of an ancient philosopher， LaoZi， to the Hanghu Pass。 Here， purple is associated with auspicious developments。 The word jin (forbidden) is self-explanatory as the imperial palace was heavily guarded and off-explanatory as the imperial palace was heavily guarded and off-limits to ordinary people。

The red and yellow used on the palace walls and roofs are also symbolic。 Red represents happiness， good fortune and wealth。 Yellow is the color of the earth on the Loess Plateau， the original home of the Chinese people。 Yellow became an imperial color during the Tang dynasty， when only members of the royal family were allowed to wear it and use it in their architecture。

The Forbidden City is rectangular in shape。 It is 960 meters long from north to south and 750 meter wide from east west。 It has 9，900 rooms under a total roof area 150，000 square meters。 A 52-meter-wide-moat encircles a 9。 9-meter—high wall which encloses the complex。 Octagon —shaped turrets rest on the four corners of the wall。 There are four entrances into the city: the Meridian Gate to the south， the Shenwu Gate (Gate of Military Prowess) to the north， and the Xihua Gate (Gate of military Prowess) to the north， and the Xihua Gate (Western Flowery Gate ) to the west， the Donghua (Eastern Flowery Gate) to the east。

Manpower and materials throughout the country were used to build the Forbidden City。 A total of 230，000 artisans and one million laborers were employed。 Marble was quarried from fangshan Country Mount Pan in Jixian County in Hebei Province。 Granite was quarried in Quyang County in Hebei Province。 Paving blocks were fired in kilns in Suzhou in southern China。 Bricks and scarlet pigmentation used on the palatial walls came from linqing in Shandong Province。 Timber was cut， processed and hauled from the northwestern and southern regions。

英语这里provoke怎么翻译？

provoke

英 [prəˈvəʊk] 美 [prəˈvoʊk]

vt. 激起，挑起； 煽动； 招致； 触怒，使愤怒

过去式： provoked 过去分词： provoked 现在分词： provoking 第三人称单数： provokes

arouse和provoke

arouse

[英][ə'raʊz][美][əˈraʊz]

vt.引起; 唤醒; 激起**; 使行动起来;

第三人称单数：arouses过去分词：aroused现在进行时：arousing过去式：aroused

以上结果来自金山词霸

词典结果：provoke

[英][prə'vəʊk][美][prəˈvok]

vt.激起，挑起; 煽动; 招致; 触怒，使愤怒;

第三人称单数：provokes过去分词：provoked现在进行时：provoking过去式：provoked

以上结果来自金山词霸

Provocation 是什么意思啊？

provocation

n.

挑衅; 激怒

激怒的原因

at [on] the slightest provocation

动不动就

give provocation

激怒, 使发怒

military provocation

军事挑衅

provocation of disorder

煽动骚乱

provocation and estrangement

挑拨离间

fly into a rage at [on] the slightest provocation

为了点小事就发火

provocation method

诱发试验法

Their insulting remarks were a provocation.

他们侮辱人的话使人愤怒。

求助惠特曼的一首诗“请与我同行”（不知是不是这样翻译）

这首诗歌叫做《Song of the Open Road》，出自《Leaves of Grass》（《草叶集》）。以下是你提到的这一段：

I give you my hand!

I give you my love , more precious than money,

I give you myself , before priests or the law;

Will you give me yourself ? Will you come travel with me?

Shall we stick by each other as long as we live?

我把我的手伸给你！

我把我的爱情给你，那比金钱还珍贵，

我把我自己给你，请牧师或法律为我作证；

你肯把你自己给我吗？你肯和我携手同行吗？

我们能不能相守不移，终身不逾？

但是这仅仅是诗歌的最后一段，全文则很长很长，如下：

Song of the Open Road

by Walt Whitman

(1819-1892)

1

Afoot and light-hearted I take to the open road,

Healthy, free, the world before me,

The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,

Henceforth I whimper no more, postpone no more, need nothing,

Done with indoor complaints, libraries, querulous critici**s,

Strong and content I travel the open road.

The earth, that is sufficient,

I do not want the constellations any nearer,

I know they are very well where they are,

I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,

I carry them, men and women, I carry them with me wherever I go,

I swear it is impossible for me to get rid of them,

I am fill'd with them, and I will fill them in return.)

2

You road I enter upon and look around, I believe you are not all

that is here,

I believe that much unseen is also here.

Here the profound lesson of reception, nor preference nor denial,

The black with his woolly head, the felon, the diseas'd, the

illiterate person, are not denied;

The birth, the hasting after the physician, the beggar's tramp, the

drunkard's stagger, the laughing party of mechanics,

The escaped youth, the rich person's carriage, the fop, the eloping couple,

The early market-man, the hearse, the moving of furniture into the

town, the return back from the town,

They pass, I also pass, any thing passes, none can be interdicted,

None but are accepted, none but shall be dear to me.

3

You air that serves me with breath to speak!

You objects that call from diffusion my meanings and give them shape!

You light that wraps me and all things in delicate equable showers!

You paths worn in the irregular hollows by the roadsides!

I believe you are latent with unseen existences, you are so dear to me.

You flagg'd walks of the cities! you strong curbs at the edges!

You ferries! you planks and posts of wharves! you timber-lined

side! you distant ships!

You rows of houses! you window-pierc'd facades! you roofs!

You porches and entrances! you copings and iron guards!

You windows whose transparent shells might expose so much!

You doors and ascending steps! you arches!

You gray stones of interminable pavements! you trodden crossings!

From all that has touch'd you I believe you have imparted to

yourselves, and now would impart the same secretly to me,

From the living and the dead you have peopled your impassive surfaces,

and the spirits thereof would be evident and amicable with me.

4

The earth expanding right hand and left hand,

The picture alive, every part in its best light,

The music falling in where it is wanted, and stopping where it is

not wanted,

The cheerful voice of the public road, the gay fresh sentiment of the road.

O highway I travel, do you say to me Do not leave me?

Do you say Venture not--if you leave me you are lost?

Do you say I am already prepared, I am well-beaten and undenied,

adhere to me?

O public road, I say back I am not afraid to leave you, yet I love you,

You express me better than I can express myself,

You shall be more to me than my poem.

I think heroic deeds were all conceiv'd in the open air, and all

free poems also,

I think I could stop here myself and do miracles,

I think whatever I shall meet on the road I shall like, and whoever

beholds me shall like me,

I think whoever I see must be happy.

5

From this hour I ordain myself loos'd of limits and imaginary lines,

Going where I list, my own master total and absolute,

Listening to others, considering well what they say,

Pausing, searching, receiving, contemplating,

Gently, but with undeniable will, divesting myself of the holds that

would hold me.

I inhale great draughts of space,

The east and the west are mine, and the north and the south are mine.

I am larger, better than I thought,

I did not know I held so much goodness.

All seems beautiful to me,

can repeat over to men and women You have done such good to me

I would do the same to you,

I will recruit for myself and you as I go,

I will scatter myself among men and women as I go,

I will toss a new gladness and roughness among them,

Whoever denies me it shall not trouble me,

Whoever accepts me he or she shall be blessed and shall bless me.

6

Now if a thousand perfect men were to appear it would not amaze me,

Now if a thousand beautiful forms of women appear'd it would not

astonish me.

Now I see the secret of the making of the best persons,

It is to grow in the open air and to eat and sleep with the earth.

Here a great personal deed has room,

(Such a deed seizes upon the hearts of the whole race of men,

Its effusion of strength and will overwhelms law and mocks all

authority and all argument against it.)

Here is the test of wisdom,

Wisdom is not finally tested in schools,

Wisdom cannot be pass'd from one having it to another not having it,

Wisdom is of the soul, is not susceptible of proof, is its own proof,

Applies to all stages and objects and qualities and is content,

Is the certainty of the reality and immortality of things, and the

excellence of things;

Something there is in the float of the sight of things that provokes

it out of the soul.

Now I re-examine philosophies and religions,

They may prove well in lecture-rooms, yet not prove at all under the

spacious clouds and along the landscape and flowing currents.

Here is realization,

Here is a man tallied--he realizes here what he has in him,

The past, the future, majesty, love--if they are vacant of you, you

are vacant of them.

Only the kernel of every object nourishes;

Where is he who tears off the husks for you and me?

Where is he that undoes stratagems and envelopes for you and me?

Here is adhesiveness, it is not previously fashion'd, it is apropos;

Do you know what it is as you pass to be loved by strangers?

Do you know the talk of those turning eye-balls?

7

Here is the efflux of the soul,

The efflux of the soul comes from within through embower'd gates,

ever provoking questions,

These yearnings why are they? these thoughts in the darkness why are they?

Why are there men and women that while they are nigh me the sunlight

expands my blood?

Why when they leave me do my pennants of joy sink flat and lank?

Why are there trees I never walk under but large and melodious

thoughts descend upon me?

(I think they hang there winter and summer on those trees and always

drop fruit as I pass;)

What is it I interchange so suddenly with strangers?

What with some driver as I ride on the seat by his side?

What with some fisherman drawing his seine by the shore as I walk by

and pause?

What gives me to be free to a woman's and man's good-will? what

gives them to be free to mine?

8

The efflux of the soul is happiness, here is happiness,

I think it pervades the open air, waiting at all times,

Now it flows unto us, we are rightly charged.

Here rises the fluid and attaching character,

The fluid and attaching character is the freshness and sweetness of

man and woman,

(The herbs of the morning sprout no fresher and sweeter every day

out of the roots of themselves, than it sprouts fresh and sweet

continually out of itself.)

Toward the fluid and attaching character exudes the sweat of the

love of young and old,

From it falls distill'd the charm that mocks beauty and attainments,

Toward it heaves the shuddering longing ache of contact.

9

Allons! whoever you are come travel with me!

Traveling with me you find what never tires.

The earth never tires,

The earth is rude, silent, incomprehensible at first, Nature is rude

and incomprehensible at first,

Be not discouraged, keep on, there are divine things well envelop'd,

I swear to you there are divine things more beautiful than words can tell.

Allons! we must not stop here,

However sweet these laid-up stores, however convenient this dwelling

we cannot remain here,

However shelter'd this port and however calm these waters we must

not anchor here,

However welcome the hospitality that surrounds us we are permitted

to receive it but a little while.

10

Allons! the inducements shall be greater,

We will sail pathless and wild seas,

We will go where winds blow, waves dash, and the Yankee clipper

speeds by under full sail.

Allons! with power, liberty, the earth, the elements,

Health, defiance, gayety, self-esteem, curiosity;

Allons! from all formules!

From your formules, O bat-eyed and materialistic priests.

The stale cadaver blocks up the passage--the burial waits no longer.

Allons! yet take warning!

He traveling with me needs the best blood, thews, endurance,

None may come to the trial till he or she bring courage and health,

Come not here if you have already spent the best of yourself,

Only those may come who come in sweet and determin'd bodies,

No diseas'd person, no rum-drinker or venereal taint is permitted here.

(I and mine do not convince by arguments, similes, rhymes,

We convince by our presence.)

11

Listen! I will be honest with you,

I do not offer the old **ooth prizes, but offer rough new prizes,

These are the days that must happen to you:

You shall not heap up what is call'd riches,

You shall scatter with lavish hand all that you earn or achieve,

You but arrive at the city to which you were destin'd, you hardly

settle yourself to satisfaction before you are call'd by an

irresistible call to depart,

You shall be treated to the ironical **iles and mockings of those

who remain behind you,

What beckonings of love you receive you shall only answer with

passionate kisses of parting,

You shall not allow the hold of those who spread their reach'd hands

toward you.

12

Allons! after the great Companions, and to belong to them!

They too are on the road--they are the swift and majestic men--they

are the greatest women,

Enjoyers of calms of seas and storms of seas,

Sailors of many a ship, walkers of many a mile of land,

Habitues of many distant countries, habitues of far-distant dwellings,

Trusters of men and women, observers of cities, solitary toilers,

Pausers and contemplators of tufts, blossoms, shells of the shore,

Dancers at wedding-dances, kissers of brides, tender helpers of

children, bearers of children,

Soldiers of revolts, standers by gaping graves, lowerers-down of coffins,

Journeyers over consecutive seasons, over the years, the curious

years each emerging from that which preceded it,

Journeyers as with companions, namely their own diverse phases,

Forth-steppers from the latent unrealized baby-days,

Journeyers gayly with their own youth, journeyers with their bearded

and well-grain'd manhood,

Journeyers with their womanhood, ample, unsurpass'd, content,

Journeyers with their own sublime old age of manhood or womanhood,

Old age, calm, expanded, broad with the haughty breadth of the universe,

Old age, flowing free with the delicious near-by freedom of death.

13

Allons! to that which is endless as it was beginningless,

To undergo much, tramps of days, rests of nights,

To merge all in the travel they tend to, and the days and nights

they tend to,

Again to merge them in the start of superior journeys,

To see nothing anywhere but what you may reach it and pass it,

To conceive no time, however distant, but what you may reach it and pass it,

To look up or down no road but it stretches and waits for you,

however long but it stretches and waits for you,

To see no being, not God's or any, but you also go thither,

To see no possession but you may possess it, enjoying all without

labor or purchase, abstracting the feast yet not abstracting one

particle of it,

To take the best of the farmer's farm and the rich man's elegant

villa, and the chaste blessings of the well-married couple, and

the fruits of orchards and flowers of gardens,

To take to your use out of the compact cities as you pass through,

To carry buildings and streets with you afterward wherever you go,

To gather the minds of men out of their brains as you encounter

them, to gather the love out of their hearts,

To take your lovers on the road with you, for all that you leave

them behind you,

To know the universe itself as a road, as many roads, as roads for

traveling souls.

All parts away for the progress of souls,

All religion, all solid things, arts, governments--all that was or is

apparent upon this globe or any globe, falls into niches and corners

before the procession of souls along the grand roads of the universe.

Of the progress of the souls of men and women along the grand roads of

the universe, all other progress is the needed emblem and sustenance.

Forever alive, forever forward,

Stately, solemn, sad, withdrawn, baffled, mad, turbulent, feeble,

dissatisfied,

Desperate, proud, fond, sick, accepted by men, rejected by men,

They go! they go! I know that they go, but I know not where they go,

But I know that they go toward the best--toward something great.

Whoever you are, come forth! or man or woman come forth!

You must not stay sleeping and dallying there in the house, though

you built it, or though it has been built for you.

Out of the dark confinement! out from behind the screen!

It is useless to protest, I know all and expose it.

Behold through you as bad as the rest,

Through the laughter, dancing, dining, supping, of people,

Inside of dresses and ornaments, inside of those wash'd and trimm'd faces,

Behold a secret silent loathing and despair.

No hu**and, no wife, no friend, trusted to hear the confession,

Another self, a duplicate of every one, skulking and hiding it goes,

Formless and wordless through the streets of the cities, polite and

bland in the parlors,

In the cars of railroads, in steamboats, in the public assembly,

Home to the houses of men and women, at the table, in the bedroom,

everywhere,

Smartly attired, countenance **iling, form upright, death under the

breast-bones, hell under the skull-bones,

Under the broadcloth and gloves, under the ribbons and artificial flowers,

Keeping fair with the customs, speaking not a syllable of itself,

Speaking of any thing else but never of itself.

14

Allons! through struggles and wars!

The goal that was named cannot be countermanded.

Have the past struggles succeeded?

What has succeeded? yourself? your nation? Nature?

Now understand me well--it is provided in the essence of things that

from any fruition of success, no matter what, shall come forth

something to make a greater struggle necessary.

My call is the call of battle, I nourish active rebellion,

He going with me must go well arm'd,

He going with me goes often with spare diet, poverty, angry enemies,

desertions.

15

Allons! the road is before us!

It is safe--I have tried it--my own feet have tried it well--be not

detain'd!

Let the paper remain on the desk unwritten, and the book on the

shelf unopen'd!

Let the tools remain in the workshop! let the money remain unearn'd!

Let the school stand! mind not the cry of the teacher!

Let the preacher preach in his pulpit! let the lawyer plead in the

court, and the judge expound the law.

Camerado, I give you my hand!

I give you my love more precious than money,

I give you myself before preaching or law;

Will you give me yourselp. will you come travel with me?

Shall we stick by each other as long as we live?

PS：惠特曼一生只出过一部诗集，即《草叶集》。但《草叶集》从最开始出版到最后修订的版本相差巨大。1855年7月4日（美国独立日）初版的《草叶集》一共才12首诗，然后经历八次修订，八个版本，到1892年惠特曼逝世前，已出到第9版，里面所收的诗歌也由原先可怜的12首发展成近四百首。

能否帮找一下甲克虫乐队的成员，及发展经历的英文简介

The Beatles（甲壳虫乐队）：

本世纪最知名的英国流行乐队，1956年成立于利物浦，1970年，乐队解散。

1、成员：

约翰•列农（John Lennon,1940～1980，主唱兼节奏吉他）、

保罗•麦卡特尼（Paul McCartney，生于1942年，贝司兼主唱）、

乔治•哈里森(George Harrison,1943～2001，主音吉他)

林格•斯塔尔（Ringo Starr，生于1940年，鼓手）

2、成立之初：

1958年，约翰•列农、保罗•麦卡特尼、乔治•哈里森和另外两位青年组织了一个乐队。乐队曾几经易名，开始起名为"甲壳虫"（Beetles），最后列农故意把Beetles拼作Beatles。1962年，另外两名青年先后离队，林格•斯塔尔（Ringo Starr，生于1940年，鼓手）加入其中，"披头士"的四名队员从此固定下来。

3、初期发展：

1961年，利物普唱片公司的老板布莱恩•爱泼斯坦（Brian Epstein）发现了他们的巨大潜力，成了他们的经理人。首先,他所做的事情是包装"披头士"的外形：长头发、无领四扣的上衣、烟囱似的长裤子和矮靴子。

1962年，EMI下属的"帕洛风"（Parlophone）唱片公司经理乔治•马丁（George Martin）与"披头士"签约，并与同年9月发行《爱我吧》（love me do，例23）和《附言：我爱你》（P．S．I love you）两首歌曲。

1963年3月又推出一首《请让我愉快》（Please，Please me），引起了极大的轰动并登上了榜首。同年由"帕洛风"发行的其他歌曲如《从我到你》（from me to you）、《他爱你》（she loves you）、《我想握住你的手》（I want to hold your hand）接连获得第一。"披头士"因此而名声大振。11月，"披头士"被邀请在皇家综艺剧场参加演出，英王太后和玛格丽特公主都出席了现场。

1964年，"披头士热"传到了美国，美国流行音乐排行榜差不多成了披头士的天下。大街小巷到处飘荡着披头士的声音。同年，他们的第一部电影《辛劳之夜》（A hard day's night）放映，同样引起了轰动。影片的主题歌使"披头士"荣获当年格莱美最佳演唱小组奖。

1965年6月，"披头士"还获得了英国女王伊丽莎白二世颁发的不列颠帝国勋章。

到此为止，主要是"披头士"的早期活动。从他们的歌曲中可以看到，早期的风格都比较简单、明快、无忧无虑，而且还便于舞蹈，在艺术上缺乏创新。

4、发展创新：

到了1965年末的时候，"披头士"已经取得了很少歌星能够取得的优越地位：不管他们演什么，听众都能接受。听众认为："披头士总是对的。"因此，他们利用自己的有利地位大胆实验，摆脱流行音乐的老一套，从而对摇滚乐的发展做出贡献。正在这个时候，麦卡特尼和列农的不同个性开始显露出来。保罗•麦卡特尼是保守的、易动感情的，渴望给人快乐，愿意顺从习惯的；约翰•列农是反叛的、进攻性的，酷爱讽刺，擅长文学，而且在音乐上没有那么高的天分。

1965年，麦卡特尼完成了一首歌曲《昨天》（Yesterday，例24），并采纳乔治•马丁的建议，用弦乐四重奏形式来伴奏。很快这首歌就登上了排行榜榜首，而且据统计，至今它的翻唱版本已超过了2500多种，创历史之最。但是，列农并不喜欢这首温柔的抒情歌曲。

接着，他们推出的三张专辑《橡胶灵魂》（Rubber Soul）、《昨天和今天》（Yesterday and Today）、和《左轮手枪》（Revolver），实验成分逐渐加大，表现了"披头士"已从早期在歌曲中大呼"耶、耶、耶"，开始过渡到艺术上追求专业技巧、力求更加精致的阶段。

《橡胶灵魂》 首先从封面上看就与前不同。"披头士"四个人的面孔都有点变形，这种多多少少的超现实手法暗示了后来被称作"迷幻摇滚"的音乐。专辑中包括了《单字》（The word）、《米歇尔》（Michelle）、《在我的生活中》（In my life）等歌曲，其中另一首歌曲《挪威的森林》（Norwegian wood）中运用了印度的西塔尔琴（Sitar）而独具特色。

第二张专辑《昨天和今天》仅在美国发行。其中《哪里都不去的人》（Nowhere man）的歌词受民谣摇滚的影响，显示了更多的社会评论的性质。

在第三张专辑《左轮手枪》中，《埃莉诺•里格比》（Eleanor Rigby）使用了弦乐八重奏形式，这种歌曲从很多方面预示了后来发表的《佩伯军士的孤心俱乐部乐队》的风格。

通过这三张专辑的制作，“披头士”积累了大量录音棚实验的经验，于1967年推出了他们最经典的一张专辑《佩伯军士的孤心俱乐部乐队》（Sergeant Pepper's lonely hearts club band）。这张专辑由"披头士"与管弦乐队合作，在制作人马丁的监制下用了四个月的时间制作而成。它不仅是"披头士"长时间艺术探索的鼎盛之作，同时在摇滚乐历史上也占有重要的地位。

《佩伯军士的孤心俱乐部乐队》是一套组歌，共12首歌曲。标题曲《佩伯军士》不仅是组歌的开始曲，也作为统一全曲的主题反复出现。这里的佩伯军士实际上就是代表"披头士"乐队自己，他们在一种迷幻音乐会的气氛中进行一系列的演唱。比如《缀满钻石的天空中的露西》（Lucy in the Sky with Diamond），歌名几个单词的开头字母LSD即明显暗示了此曲与***有关，歌词中又出现了各种迷幻景象。音乐上每段节歌都是从三拍子转到四拍子的叠歌，在摇滚乐中是首次出现拍子的转换，这使歌曲不再具有通常摇滚乐的舞蹈性质。录音效果上运用了加大混响和正常人声的对比等等。《拥有你，失去你》（within you without you）则显得缺少规整，乐句长短不匀；从整体上看，迷幻成分较浓，给人带来一种类似催眠的效果。

5、乐队后期：

1968年，他们录制了《The white album》。 1969年，他们制作了《Let It Be》这时他们非常疲惫，觉得这些专辑应该是他们最后的作品。不过他们觉得《Let It Be》有点过于悲伤，因此他们又制作了专辑《Abbey Road》。他们在他们开在伦敦的苹果公司的房顶上进行了最后一次演出。

1970年4月，“甲壳虫”宣布解散，不过其成员还在继续着各自的音乐事业，他们的专辑也仍然在出售，其中新的一张精选集卖得非常好。“甲壳虫”过去是，现在是，或许将来也会是有史以来最受欢迎和最成功的音乐组合。